"ASSCOP"
by Beat Detectives
Power Sherlock
supermogadon
jeremi-w-y
devonwho
jbhood1487
ZEMBL4
Yannick Van Keer
nolramkniff
Nathan Adams
lo_hp_
illia
Froggy
triple_black
4ur3l1u5
slaygurz
deepinthesea
Nathan Worm
Arthur Roski
Pure Joy
headphoneasyrider
Kilian
Paul Banks
Porcelain Prince
Cody Pennock
Austyn
remsco fibre
CtrlV
essarai
Jamie Lawson
Lukas Bones
contemporaryusername
Nikolas
Jared P
Bernhard Hasslinger
discomikael
rina evangeline
Thom Davies
James Alexander Fox
Salary Boy
faso
Lewis Tait
Seb Chan
K_Stoge
Al Matthews
The Art of BLEEP!
nYYfs
Jeramboquai
ARCALIS Clyde
Chris Howard
C R P
varchar
JWT
daniel bernath
Kaynyne Keynyn
mod3rn0
Bobby Power
Shaun McElroy
BOX II
0__0
Strang-LA
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
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1. |
Vocal Paradise Intro
01:36
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2. |
Oh That Felix
03:38
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3. |
Fresh Out the Pack
02:12
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4. |
Illusion of a Band
03:31
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5. |
Asscop
02:38
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6. |
Sample Party
03:48
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7. |
Numb For You
02:50
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8. |
Trappy
01:26
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9. |
Summer In the City
02:43
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10. |
Bonus Track Intro
01:24
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about
Minneapolis three-piece Beat Detectives have been getting twisted across a few tape releases now on labels like 100% Silk, Night People and Moon Glyph. Finally mutating their way onto the 1080p roster after being shut down at one plant due to “questionable content”, their latest party tape of loose and disorienting house and heavy bubblegum beats turns up the amateur bombast even further than usual.
“ASSCOP”’s light antagonism comes beamed in (much like their previous cassette tapes) from some discarded Winamp .pls on their cluttered PC desktop; a very heady split between authentic FM radio channel scanning and digital radio show, shredding heavily attitudinal house tracks in between gunked snippets of Rock Stations and dazed vocal interludes (“Youtube!”) up against crass bootleg beats and dubbed-out vocal techno.
The “3am basement house party” vibe has always (literally borne out of “dirt raves in punker basements”) been smudged onto their rhythms but it seems as if “ASSCOP” is made for the pavement, emphatically strutting alongside the listener on a deep quest to loosen things up, pulling artifacts from all sorts of genres, styles and locations. “Summer in the City” is super heavy and extremely funky, exuding the dusty 70s/80s glitz of disco and proto-house via punctuative handclaps and sex-positive bass groove. “Fresh Out The Pack” is bouncy and propelled by low, squelchy synths while “Oh That Felix” opens the tape up with the most substantial and contemporary dance music modes.
Passing tracks and ideas back and forth between Minneapolis and New York City, Aaron Anderson, Oakley Tapola and Chris Hontos (of Dreamweapon and Food Pyramid), Beat Detectives production model has morphed into the versatile vehicle that allows “ASSCOP” to exist in a post-band, post-ironic blur of funk and incessant rhythms.
“ASSCOP”’s light antagonism comes beamed in (much like their previous cassette tapes) from some discarded Winamp .pls on their cluttered PC desktop; a very heady split between authentic FM radio channel scanning and digital radio show, shredding heavily attitudinal house tracks in between gunked snippets of Rock Stations and dazed vocal interludes (“Youtube!”) up against crass bootleg beats and dubbed-out vocal techno.
The “3am basement house party” vibe has always (literally borne out of “dirt raves in punker basements”) been smudged onto their rhythms but it seems as if “ASSCOP” is made for the pavement, emphatically strutting alongside the listener on a deep quest to loosen things up, pulling artifacts from all sorts of genres, styles and locations. “Summer in the City” is super heavy and extremely funky, exuding the dusty 70s/80s glitz of disco and proto-house via punctuative handclaps and sex-positive bass groove. “Fresh Out The Pack” is bouncy and propelled by low, squelchy synths while “Oh That Felix” opens the tape up with the most substantial and contemporary dance music modes.
Passing tracks and ideas back and forth between Minneapolis and New York City, Aaron Anderson, Oakley Tapola and Chris Hontos (of Dreamweapon and Food Pyramid), Beat Detectives production model has morphed into the versatile vehicle that allows “ASSCOP” to exist in a post-band, post-ironic blur of funk and incessant rhythms.
credits
released May 6, 2014
license
all rights reserved
tags
discography
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Nov 2016 -
Oct 2016 -
Oct 2016 -
Oct 2016
contact / help
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